Publications and Lectures
Publications
Articles
2020
Caruso, G., Nijs, L., & Leman, M. (2020). “My avatar and me”: technology-enhanced mirror in monitoring music performance practice, in Innovation in Music, Routledge.
2019
Caruso, G. (2019). Nuove frontiere per la metodologia di ricerca sull’esecuzione musicale: il connubio tra arte e scienza. In ITAMAR. REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE No 5, Facultad de Filosofía y Ciencias de la Educación. Universitat de València (España), 69-84.
2018
Caruso, G. (2018). Jacques Charpentier: 72 Etudes Karnatiques pour piano (box of 3 CDS published by Centaur Records). USA: Centaur Records.
Caruso, G., Nijs, L., & Leman, M. (2018). Mirroring the intentionality and gesture of a piano performance: an interpretation of 72 Etudes Karnatiques pour piano, Ghent University Press.
Caruso, G. (2018). À la recherche du son comme résolution de conflits : l’utopie musicale de la suite n. 9 Ttai pour piano de Giacinto Scelsi. (C. LEJEUNE, Ed.). In Cahiers internationaux de symbolisme, 146-147-148 (Sciences et littérature), 125-143.
2017
Caruso, G. (2017). L’approche scientifique et l’intrprétation musicale: la technologie comme miroir. (C. LEJEUNE, Ed.). In Cahiers internationaux de symbolisme, 146-147-148 (Sciences et littérature), 29–44.
2016
Caruso, G., Coorevits, E., Nijs, L. & Leman, M. (2016). Gestures in contemporary music performance: a method to assist the performer’s artistic process. In Contemporary Music Review, Volume 35, Issue 4-5: Gesture-Technology Interactions in Contemporary Music.
Caruso, G. (2016). La femme au toucher ineffable: la pianiste, pédagogue et chercheuse Marie Trautmann, épouse Jaëll. In Cahiers internationaux de symbolisme, (C. LEJEUNE, Ed.)143-144-145 (Genre), pp. 27–42.
Caruso, G. (2016). Experimenting with subjectivity instantiated into gestures: My soul at my fingertips : My Avatar and Me. Proceedings of the International Codarts Artistic Research Festival (CRAFT 2016), Rotterdam Conservatorium, Netherlands.
Caruso, G. (2016). Gestures as an Interface of Cultural Identity in Musical Performance: Western Embodiment of Karnatic Music. Proceedings of the International Conference “Musical Gestures as Creative Interface”. Universidade Católica Portuguesa, Porto, Portugal. (pp. 91–92). CITAR.
Caruso, G. (2016). Experimenting with subjectivity instantiated into gestures: My soul at my fingertips: My Avatar and Me. Proceedings of the International Conference “Performance, Subjectivity and Experimentation in Artistic Research” (2016), Orpheus Instituut, Ghent, Belgium (pp. 15–16).
2015
Caruso, G. & Leman, M. (2015). Le patrimoine musical indien dans le répertoire pour piano d’Olivier Messiaen et de Jacques Charpentier. In Cahiers internationaux de symbolisme, (C. LEJEUNE, Ed.) 140-142 (Patrimoines), pp. 23–56.
2013
Caruso, G. (2013). Western embodiment of Carnatic Music: 72 Etudes Karnatiques by Jacques Charpentier (1933). Proceedings of the International Piano Symposium (2013), Royal College of Music, London.
Caruso, G. (2013). Western embodiment of Carnatic Music: 72 Etudes Karnatiques by Jacques Charpentier (1933). Proceedings of the International Conference “Experimental Affinities in Music – from Late Middle Ages”, Orpheus Instituut, Ghent, Belgium.
Invited lectures
2019
Pescara – Conservatorio di Musica
Lecture on methods in Artistic Research: Metodi di analisi dell’esecuzione musicale nella ricerca artistica: uno studio specifico sull’interpretazione pianistica (17/05/ 2019)
Bologna – Centro Studi InCanto
Lecture and workshop: Motion Capture of a Piano Performance (9-10 /02/2019)
Bologna – Centro Studi InCanto
Lecture on methods in Artistic Research: Metodi di analisi dell’esecuzione musicale nella ricerca artistica: uno studio specifico sull’interpretazione pianistica (9-10 /02/2019)
Antwerp – Royal Conservatory
Lecture on methods in Artistic Research: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (07/02/2019)
2018
St. Petesburg – University ITMO – «Art & Science» Master’s program
Lecture: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (24/10/2018)
Agnone (Isernia) – Centro Studi Alto Molise
Lecture: La vicenda di Marie Jaell Trautman: pianista, pedagoga e ricercatrice (29/07/2018)
Rome – University Campus Bio-Medico – ESCOM ITALY 2018
Lecture: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (28/06/2018)
Mons – Conservatoire Royal de Musique
Lecture: Dans la sphère du son comme croisement des mondes (23/03/2018)
2017
Ghent – University (De Krook) in collaboration with the Royal Conservatory of Ghent
Lecture: Motion Capture of a piano performance (16/11/2017)
Ghent – University (De Krook) – lecture series Think Tank.
Lecture: Motion Capture of a piano performance and 3D surround sound (20/10/2017)
Milano – Conservatorio di Musica, lecture series Incontri di Ricerca.
Lecture title: L’implementazione della tecnologia nell’analisi del movimento performativo pianistico contemporaneo: un caso di studio sui 72 studi carnatici per pianoforte di Jacques Carpentier (1933-2017). (27/04/2017)
London – Goldsmiths University, lecture series Whitehead Lectures in Cognition, Computation and Culture.
Lecture: Gestures in Contemporary Music Performance (22/03/2017)
2016
Carcassonne – Conservatoire La Fabrique des Arts de Carcassonne Agglo, lecture on Hommage à Jacques Charpentier
Lecture: Jacques Charpentier and Indian Music (25/11/ 2016)
Aveiro – Universidade, Lecture series on Musical Expressivity Musical Gestures as the Interface of Performers’s intentionality
Lecture: Gestures and intentionality in a piano performance (06/03/2016)
2015
Gand – IPEM (Ugent), lecture series Think Tank
Lecture: Re-Orient: Western Embodiment of Karnatic Music (06/03/2015)
2014
Bangkok –University
Lecture: Western Embodiment of Karnatic Music (10/07/2014)
2013
Crotone – Liceo Musicale “O. Stillo”
Lecture: Western Embodiment of Karnatic Music (07/09/2013)
Vigo – Conservatorio Superior de Musica
Lecture title: Re-Orient: Western Embodiment of Karnatic Music (30/04/April 2013)
Spoken presentations at conferences
2016
Porto – Universidade Católica Portuguesa, International Conference on Musical Gesture as Creative Interface.
Lecture: Gestures and intentionality in Piano Performance (19/03/2016)
Rotterdam – CODARTS (Rotterdam Conservatorium), International conference Codarts Artistic Research Festival (CRAFT)
Lecture: My soul at my fingertips – My Avatar and Me (09/03/ 2016).
Gand – Orpheus Institute, International conference: Performance, Subjectivity and Experimentation in Artistic Research. Lecture title: My soul at my fingertips – My Avatar and Me (25/02/ 2016)
2013
London – Royal Academy, International Piano Symposium
Lecture: Re-Orient: Western Embodiment of Karnatic Music (09/02/2013)
