Lectures and Publications

Invited lectures

2019 

Pescara – Conservatorio di Musica

Lecture on methods in Artistic Research: Metodi di analisi dell’esecuzione musicale nella ricerca artistica: uno studio specifico sull’interpretazione pianistica (17/05/ 2019)

Bologna – Centro Studi InCanto

Lecture and workshop: Motion Capture of a Piano Performance (9-10 /02/2019)

Bologna – Centro Studi InCanto

Lecture on methods in Artistic Research: Metodi di analisi dell’esecuzione musicale nella ricerca artistica: uno studio specifico sull’interpretazione pianistica (9-10 /02/2019)

Antwerp – Royal Conservatory

Lecture on methods in Artistic Research: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (07/02/2019)

 

2018 

St. Petesburg – University ITMO – «Art & Science» Master’s program

Lecture: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (24/10/2018)

Agnone (Isernia) – Centro Studi Alto Molise

Lecture: La vicenda di Marie Jaell Trautman: pianista, pedagoga e ricercatrice (29/07/2018) 

 

Rome – University Campus Bio-Medico  – ESCOM ITALY 2018

Lecture: Mirroring the intentionality and gesture of a piano performance. An interprettaion of 72 Etudes Karnatiques (28/06/2018)

Mons – Conservatoire Royal de Musique 

Lecture: Dans la sphère du son comme croisement des mondes (23/03/2018)

 

 2017

Ghent – University (De Krook) in collaboration with the Royal Conservatory of Ghent

Lecture: Motion Capture of a piano performance (16/11/2017)

Ghent – University (De Krook) – lecture series Think Tank.

Lecture: Motion Capture of a piano performance and 3D surround sound (20/10/2017)

Milano – Conservatorio di Musica, lecture series Incontri di Ricerca.

Lecture title:  L’implementazione della tecnologia nell’analisi del movimento performativo pianistico contemporaneo: un caso di studio sui 72 studi carnatici per pianoforte di Jacques Carpentier (1933-2017). (27/04/2017)

London – Goldsmiths University, lecture series Whitehead Lectures in Cognition, Computation and Culture.

Lecture:  Gestures in Contemporary Music Performance (22/03/2017)

 

2016

Carcassonne – Conservatoire La Fabrique des Arts de Carcassonne Agglo, lecture on Hommage à Jacques Charpentier

Lecture:  Jacques Charpentier and Indian Music (25/11/ 2016)

Aveiro – Universidade, Lecture series on Musical Expressivity Musical Gestures as the Interface of Performers’s intentionality

Lecture:  Gestures and intentionality in a piano performance (06/03/2016)

 

2015

Gand – IPEM (Ugent), lecture series Think Tank

Lecture: Re-Orient: Western Embodiment of Karnatic Music (06/03/2015)

 

2014

Bangkok –University

Lecture: Western Embodiment of Karnatic Music (10/07/2014)

 

2013

Crotone – Liceo Musicale “O. Stillo”

Lecture: Western Embodiment of Karnatic Music (07/09/2013)

Vigo – Conservatorio Superior de Musica

Lecture title: Re-Orient: Western Embodiment of Karnatic Music (30/04/April 2013)

Spoken presentations at conferences

 

2016

Porto – Universidade Católica Portuguesa, International Conference on Musical Gesture as Creative Interface.

Lecture:  Gestures and intentionality in Piano Performance (19/03/2016)

Rotterdam – CODARTS (Rotterdam Conservatorium), International conference Codarts Artistic Research Festival (CRAFT)

Lecture: My soul at my fingertips – My Avatar and Me (09/03/ 2016).

Gand – Orpheus Institute, International conference: Performance, Subjectivity and Experimentation in Artistic Research. Lecture title: My soul at my fingertips – My Avatar and Me (25/02/ 2016)

 

2013                                               

London – Royal Academy, International Piano Symposium

Lecture: Re-Orient: Western Embodiment of Karnatic Music (09/02/2013)

Publications

 

2018

Caruso, G. (2018). Jacques Charpentier: 72 Etudes Karnatiques pour piano (box of 3 CDS published by Centaur Records). USA: Centaur Records.

 

2017

Caruso, G. (2017). L’appoche scientifique et l’interpretation musicale: la technologie comme miroir. (C. LEJEUNE, Ed.). In Cahiers internationaux de symbolisme, 146-147-148 (Sciences et littérature), 29–44.

 

2016

Caruso, G., Coorevits, E., Nijs, L. & Leman, M. (2016). Gestures in contemporary music performance: a method to assist the performer’s artistic process. In Contemporary Music Review, Volume 35, Issue 4-5: Gesture-Technology Interactions in Contemporary Music.

Caruso, G. (2016). La femme au toucher ineffable: la pianiste, pédagogue et chercheuse Marie Trautmann, épouse Jaëll. In Cahiers internationaux de symbolisme, (C. LEJEUNE, Ed.)143-144-145 (Genre), pp. 27–42.

Caruso, G. (2016). Experimenting with subjectivity instantiated into gestures: My soul at my fingertips : My Avatar and Me. Proceedings of the International Codarts Artistic Research Festival (CRAFT 2016), Rotterdam Conservatorium, Netherlands.

Caruso, G. (2016). Gestures as an Interface of Cultural Identity in Musical Performance: Western Embodiment of Karnatic Music. Proceedings of the International Conference “Musical Gestures as Creative Interface”. Universidade Católica Portuguesa, Porto, Portugal. (pp. 91–92). CITAR.

Caruso, G. (2016). Experimenting with subjectivity instantiated into gestures: My soul at my fingertips: My Avatar and Me. Proceedings of the International Conference “Performance, Subjectivity and Experimentation in Artistic Research” (2016), Orpheus Instituut, Ghent, Belgium (pp. 15–16).

 

2015

Caruso, G. & Leman, M. (2015). Le patrimoine musical indien dans le répertoire pour piano d’Olivier Messiaen et de Jacques Charpentier. In Cahiers internationaux de symbolisme, (C. LEJEUNE, Ed.) 140-142 (Patrimoines), pp. 23–56.

 

2013

Caruso, G. (2013). Western embodiment of Carnatic Music: 72 Etudes Karnatiques by Jacques Charpentier (1933). Proceedings of the International Piano Symposium (2013), Royal College of Music, London.

Caruso, G. (2013). Western embodiment of Carnatic Music: 72 Etudes Karnatiques by Jacques Charpentier (1933). Proceedings of the International Conference “Experimental Affinities in Music – from Late Middle Ages”, Orpheus Instituut, Ghent, Belgium.

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